FUTURE SHORTS – THE WORLD’S BIGGEST POP UP FILM FESTIVAL Now in Bengalooru

Long Live Cinema_Future Shorts Poster BangaloreFuture Shorts at the moment is the largest short film network in the world. The event unites global audiences from across 55 countries in a quarterly celebration of creativity, culture and community. It made its entry into India last year and was met with tremendous acclaim. The short films displayed in the festival held in Delhi last year spoke volumes of the kind of creativity on display and the way its redefining the way cinema is made and perceived. Its making a comeback again this year and it promises to be bigger and better. The event is slated to be held at Bangalore this year on the 20th of May.

Future Shorts began in London in 2003 with the aim of bringing an alternative to traditional cinema, for those who already love the genre and those discovering its magic every day.

The description it carries on its webpage is – “Since 2003 we’ve built a new audience for film across the globe, developed a platform for filmmakers that allows millions of people worldwide to engage with their work. Working across exhibition, distribution and experiential events, Future Shorts is the product of 9 years of audience development, experimentation and of reacting to the demand for another way of experiencing film. Operating online, in live events and through commercial distribution, we believe strongly in the social experience of film; in cinema as a communicator and community that should not be restricted by geography, status, wealth or politics. Sister company Future Cinema has become world renowned for re-imagining the cinema-going experience and championing ‘Live Cinema’, with events such as Secret Cinema receiving international acclaim from audiences and critics alike.”

Programme Line Up
The programme line-up includes a Sundance winner, a Cannes select, a short by Oscar winner Anthony Minghella as well as an official selection at the Los Angeles and Annecy Animation Festival.

1. Bear/ Nash Edgerton/ 2011/Australia/ 11 minutes
Described as a black comedy without social commentary, Bear centers around the main character Jack to unfold his tangled relationship and examines whether he’s learned his lesson or not.
2. Quadrangle/ Amy Grappell/ 2010/ USA/ 20 minutes
An examination of a four-way affair, this documentary explores the story of two “conventional” couples who swap partners and live in a group marriage in the early 1970s.
3. Venus/ Tor Fruergaard/ 2012/ Demark/ 8 minutes
‘Venus’, a 7-minute claymation, is an erotic comedy about rediscovering one another and finding the spark where you least expect it An official selection at the Los Angeles and Annecy Animation Festival.
4. Mourir Auprès de Toi/ Spike Jonze, Simon Cahn/ 2011/ France/ 6 minutes
In Jonze’s Cannes selected tragicomic stop-motion animation a felt skeleton falls in love with a beautiful and sassy vixen.

5. The Arm/ Brie Larson, Sarah Ramos, Jessie Ennis/ 2012/ USA/ 9 minutes
Chance and Genevieve, start a texting relationship only to realise they were never in a relationship at all. At Sundance this year, “The Arm” was acknowledged with a Special Jury Award for Comedic Storytelling.

6. Love You More/ Sam Taylor Wood/ 2007/ United Kingdom/ 15 minutes
Inspired by the hit song ‘Love You More’ by the Buzzcocks, this short is the tale of two punk lovers, Georgia and Peter, in London, 1978. Tender and explorative, this short film directorial debut by Taylor-Wood was written by Oscar nominee Patrick Marber and produced by Oscar winner Anthony Minghella.

7. L’Homme Sans Tete (The Man Without a Head)/ Juan Solanas/ 2003/ France/ 18 minutes
The story of a head-less man who lives alone, in a room overlooking a vast industrial space. Visually astounding and technically accomplished, this animated short reveals love and happiness and one man’s pursuit for romance amidst life without a head.

8. Shorts From Bangalore – In addition, to the above, 2 indigenous films will also be showcased, so as to promote filmmakers from Bangalore.
Just that sort of a day by Abhay Kumar
The film won the 59th National Award 2012 in India for Best Narration.

The second film is Chapter Ashok by Prince Richfield

Event Details
Venue: Alliance Francaise de Bengalooru, May 20th 2012.
4:30-5:15 pm: Live Music act covering OSTs, songs from films we all love
5:30-6:15 pm: Indigenous Films Screening
6:30-8:00 pm: Future Shorts Films Screening
Contact: Ahmed/Vijay (9986984878/9008877900)

Tickets
Tickets are priced from INR 250 to 350. The ticket also includes a welcome drink.
For tickets and additional details: http://www.facebook.com/FutureShortsIndia

PVR Indian Panorama Film Festival Screening Schedule

AARANYA KAANDAM (Tamil with English subtitles)

DELHI
March 16, Friday : PVR Anupam, Saket  6.30 P.M
March 20, Tuesday : PVR Anupam, Saket  6.30 P.M

GURGAON
March 16, Friday : PVR Ambience Mall, Gurgaon 6.30 P.M
March 20, Tuesday : PVR Ambience Mall, Gurgaon  6.30 P.M

MUMBAI
March 16, Friday: PVR Phoenix Mills  3.30 P.M
March 17, Saturday: PVR Juhu 5.15 P.M

KOLKATA
March 16, Friday: PVR Avani Riverside Mall, Howrah 5.00 P.M

ICCHE (Bengali)

DELHI
March 18, Sunday : PVR Anupam Saket, Delhi  6.30 pm
March 22, Thursday: PVR Anupam Saket, Delhi  6.30 pm

GURGAON

March 18, Sunday : PVR  Ambience Mall, Gurgaon  6.30 pm
March 22, Thursday: PVR Ambience Mall, Gurgaon  6.30 pm

MUMBAI
March 17, Saturday: PVR Phoenix Mills: 3.30 pm
March 18, Sunday: PVR Phoenix Mills: 3.30 pm
March 18, Sunday: PVR Juhu: 5.15 pm

KOLKATA
March 18, Sunday: PVR Avani Riverside Mall: 5.00pm

DEOOL (Marathi with English Subtitles)

DELHI
March 19, Monday : PVR Anupam, Saket  6.30 P.M

GURGAON
March 19, Monday : PVR Ambience Mall, Gurgaon 6.30 P.M

KOLKATA
March 19, Monday: PVR Avani Riverside Mall: 5.00pm
March 20, Tuesday: PVR Avani Riverside Mall: 5.00pm

MUMBAI
PVR Juhu: Daily 3.55 pm
PVR Phoenix Mills: Daily 10.15 am, 3.10 pm, 10.15 pm
PVR Goregaon: Daily 9.30 am, 5.15 pm
PVR Mulund: Daily 9.30 am, 2.25 pm, 7.50 pm

SHAALA (Marathi/ Subtitles status to be confirmed)

DELHI
March 17, Saturday : PVR Anupam, Saket  6.30 P.M
March  21, Wednesday : PVR Anupam, Saket  6.30 P.M

GURGAON
March 17, Saturday : PVR Ambience Mall, Gurgaon 6.30 P.M
March  21, Wednesday : PVR  Ambience Mall, Gurgaon 6.30 P.M

KOLKATA
March 21, Wednesday: PVR Avani Riverside Mall: 5.00pm
March 22, Thursday: PVR Avani Riverside Mall: 5.00pm

MUMBAI
PVR Juhu: Daily 1.45 pm
PVR Phoenix Mills: Daily 1 pm, 5.55 pm
PVR Goregaon: Daily 12.15 pm
PVR Mulund: Daily 3pm

For tickets visit www.pvrcinemas.com

 

TELLING STORIES WITH IMAGES: Filmmaking Workshop By Asif Kapadia & Ashvin Kumar at New Delhi

The American Center, Film Forward: Advancing Cultural Dialogue, a program of the Sundance Institute and Enlighten Film Society, invites applications for workshop: “Telling Stories With Images: Developing ideas and following your instincts when writing and directing both fiction & non-fiction films”

The workshop will be conducted Asif Kapadia, BAFTA Winner Filmmaker and Ashvin Kumar, Oscar Nominated Filmmaker on March 19, 2012, 6:00 p.m. at American Center, New Delhi. Registration opens from Monday, March 12, 2011 on a first come first served basis.

For registration, please send an email to wadhwai@state.gov
Maximum 50 participants will be accepted for the program.

Film Forward: Advancing Cultural Dialogue
FILM FORWARD: Advancing Cultural Dialogue is an international cultural exchange program designed to enhance cross-cultural understanding, collaboration and dialogue around the globe by engaging audiences through the exhibition of film and conversation with filmmakers. FILM FORWARD is an Initiative of Sundance Institute and The President’s Committee on the Arts and the Humanities, in partnership with the National Endowment for the Arts, the National Endowment for the Humanities, and the Institute of Museum and Library Services.
Sundance Institute
Founded by Robert Redford in 1981, Sundance Institute is a global, nonprofit cultural organization dedicated to nurturing artistic expression in film and theater, and to supporting intercultural dialogue between artists and audiences. The Institute promotes independent storytelling to unite, inform and inspire, regardless of geo-political, social, religious or cultural differences. Internationally recognized for its annual Sundance Film Festival and its artistic development programs for directors, screenwriters, producers, film composers, playwrights and theatre artists, Sundance Institute has nurtured such projects asBorn into BrothelsTrouble the WaterSon of BabylonAmreekaAn Inconvenient TruthSpring AwakeningLight in the Piazza and Angels in America. Join Sundance Institute on FacebookTwitter and YouTube.

 

NFDC Invites Applications for Screenwriter’s Lab 2012

National Film Development Corporation (NFDC) is now inviting applications for the Screenwriter’s Lab 2012. This two-part program, is held by NFDC in partnership with Binger Filmlab, Netherlands and Venice International Film Festival, Italy. The lab will create a platform for six scriptwriters to hone their skills under the guidance of experts from different parts of the world.
The selected participants are taken to Venice International Film Festival for the first part of the lab; the second part is held at Film Bazaar, Goa. At these events, the participants interact with their Mentors, and are advised on methods that could help them improve their scripts or pitch their scripts to international domain.
This year, the lab has added another dimension to itself. If a selected Script has a producer already attached to the project, the project will gain a direct entry to the Film Bazaar Co-Production Market.
 Applicants are required to submit complete screenplay with dialogues.
A submission fee of Rs3000 has been introduced this year.

Last date of submission : 31st May 2012

First part of Program, at Venice International Film Festival : 31 Aug – 4 Sep 2012

Second part of Program, at Film Bazaar, Goa: 21 – 27 Nov 2012

For further details and Application Form, visit: http://www.filmbazaarindia.com/programs/screen-writers-lab/

1st IMPHAL INTERNATIONAL SHORT FILM FESTIVAL, MANIPUR | Explore Rich Culture Through Cinema

Long Live Cinema Imphal Film FestivalThe first Imphal International Short Film Festival, to be be held from 15 to 18 April 2012 in Manipur (India), will screen around 100 short films from India and other parts of the world.

The festival will give away awards in the Best Short Film, Best Direction, Best Screenplay, Best Actress, Best Actor, Best Cinematography, Best Editing, Best Musical Score and Three Special Mentions categories.

A short film up to 30 minutes produced between September 2009 to March 2012 would be eligible to participate in the festival. An entry fee of Rs 1000 and $ 50 will be charged for an Indian and International category respectively.

The festival is being organised by Legend Studio with the support of Film Forum, Manipur and Action for Social Advancement (ASA), Manipur.

For more details visit: http://www.imphalfilmfestival.org/

Notes from the 9th Bring Your Own Film Festival Puri

Long Live Cinema BYOFF 1Robin awes me. He is the man at the registration desk at the Bring Your Own Film Festival who shuffles through sheaves of sheets of paperwork, press-kits & what-not, and personifies the definition of the computer as a machine that stores and sorts data per requirement. Quite like last year, as I stand beside the counter waiting for my turn to register my film at the world’s most impossibly-held film festival, I look at Robin and await the moment when he’ll throw his hands up in the air, raise his voice, kick his chair behind, and leave. He hasn’t confirmed my fears yet.

As I said, this is the world’s most impossibly-held film festival as far as my knowledge goes. Completely democratic and completely independent, in a completely free ‘zone’ that reminds me of the Go-As-You-Like contests from my childhood, this festival invites everyone from every part of the world to bring any film shot on any budget, to be screened on the beach to an audience that comprises all the age-groups: children, youngsters, middle-aged and the elderly.

I keep looking for the one rule in this festival that the organizers need to adhere to with such strict compulsion that eventually contradicts the festival’s original vision, but no; no rule or compulsion carries them away from their apparent mission, that is: there are no rules.

In spirit, Mani Kaul, the man who was almost synonymous with independent cinema in India, opened this year’s chapter of the BYOFF with his film ‘Duvidha’, shortly after the bearded filmmakers present at the venue had smashed the inaugural coconut.

Long Live Cinema BYOFF 2Apart from that and a special screening of Fatih Akin’s documentary ‘Crossing Bridges: The Music of Istanbul’, two much-acclaimed and much-awaited feature length films greeted me at BYOFF. The first was Amlan Datta’s documentary ‘BOM: One Day Ahead of Democracy’ and the second was Hemant Gaba’s Shuttlecock Boys, a story of inspiration for all the entrepreneurs-to-be of the country. The former’s brother Anirban Datta also screened his conceptually exceptional documentary ‘Wasted’ on the concept of waste, wastage and recycling at various levels of reality, humanity and spirituality. Hemant also brought along his friend Pankaj Johar’s national award winning documentary ‘Still Standing’ that records the unparalleled enthusiasm of the maker’s paraplegic father’s mission to help the physically disabled.

Other attractions at this year’s BYOFF were the films from last year’s edition of The 48-Hour Film Project and the 3rd Compilation from an outfit of no budget filmmakers named Little Fish Eat Big Fish. While the 48-Hour project is about the constraint of time, the ‘Little Fishes’ are all about the constraints of finance. At this year’s BYOFF, their founder-curator Anamitra Roy launched a campaign for his forthcoming film: The One Rupee Film Project, with the promise of a digital copy of the film to anyone who donates as much as 1 Indian Rupee towards its making.

A number of young filmmakers from various parts of the country brought beautiful short films like ‘Takashi Deke’, One Such Bedtime Story and others which delighted the viewers for a long time to come. While some films received more awestruck silence from the audience than applause, Saif Kidwai’s short ‘Delhi NCR Ki Folkore’ kept the watchers clapping and hooting all throughout its runtime.

Harpreet Singh’s goosebump-giver of a voice, accompanied by a jumbo acoustic guitar generated more awe, admiration and adoration than the films that were screened. His extraordinary vocal cords added to the Electronica Therapy session that the ‘Extra-Terrestrial’ Bagula Bhagat was delivering to a lazy audience on Day Three.

The open stage at the festival also saw a performance of the Gotipua dance form on the second day that received resounding claps every few minutes of their onstage presence. There were sarangi-tabla and violin players of acclaim and a number of impromptu musical performances on all the five days.

Other than Robin, Gurpal Singh is the man to marvel at, for making the festival and the former possible and still maintain a calm voice with an undertone of jest all the while. If I could imitate it, I would scream ‘Bhadaas Dho’ right now, as the last day of BYOFF rolls out with the sun-bathed waves at Puri.

The above was written late at night when the customary campfire was lit at the festival venue to mark the end of the annual celebration.
PHOTO COURTESY: Kj Siju, Manoranjan Badatya

Long Live Cinema_Twish MukherjeeAbout The Author
Twish Mukherjee
is a young and upcoming filmmaker from Kolkata who is constantly challenging accepted definition of things. He writes and paints to kill time when there is no money to make films.

Read other articles from Twish Mukherjee
WHAT WAS HOWARD HUGHES THINKING?

IDEAS FROM THE ROOFTOP | The Chennai RTFF Story

On August 30th, 2011, I was reading the city supplement of The Hindu & I stumbled on an article with a picture of a man riding a bicycle, but weirdly captioned “Ideas from the rooftop”. Driven by curiosity I decided to kill few minutes on the article & even before I finished reading, I knew i wanted to be a part of the movement, Chennai Rooftop film festival that is.

Until circa 2008 I wasn’t interested in any movies except the ones made in Tamil, Malayalam & Hindi. I detested watching international cinema mainly because of the lack of command over the languages & cultural differences. But I was proved wrong by a bunch of IIT graduates who happened to be my colleagues & flatmates when I was working in Bangalore. Every night after they come home from work, they will be glued to their laptops watching 2 or 3 movies in various languages & genres whilst I scoff about their lame activity. A few weeks later unknowingly I got sucked into it & haven’t looked back yet. Nowadays it’s hard to leave a week back without watching 4-5 movies & even more at times. Still there are thousands of classics & cult movies to catch up & 8-10 new ones keep evolving every week. Thanks to twitter & now to RTFF; following movie moguls, critics, fans & connoisseurs ensures that you stay on top of all the news, trends, feature releases, & other assorted suggestions & discussions. What a package!

RTFF (Roof Top Film Festival) in Chennai was founded & organised by a cohort of bloggers around 2007. What made them to start such a venture? Mainly it’s out of passion for cinema the art & respect for cinema the social-cultural adhesive. How did I & 350+ people in Chennai are intrigued to it and what made people to celebrate it in legend?

The article in the newspaper had a brief write-up about what it is used to be & how was it started and how it got canned. Apparently the founding members got dislocated for career reasons & eventually RTFF went into hibernation. There were no heirs to keep the legacy alive & there were no givers of venue & gradually the ritual went into a coma. Years later, few pioneers wanted to revamp the almost obsolete concept and bring it back to action from its outmoded structure. Via the article, they invited like minded people for discussion & drinks at a juice bar located in the heart of the city on a Thursday evening. It was raining cats & dogs after I started from home to meet those strangers who love cinema. On my way I thought nobody will show up due to the outburst of heavy rain and subsequently they will tweet that it’s re-scheduled. I reached the spot  a tad late like always and was flabbergasted to see a group of 10-15 people already introducing themselves to each other. As usual I sneaked in sheepishly and grabbed a seat. Embarrassed and drenched by the rain & shame.

After rounds of introduction they discussed on how to bring the movement back to life and finally decided to run the event again on a monthly basis starting from September 2011. Suggestions and ideas about genres were pouring in heavily than the rain. Finally the group decided to give the event a re-birth with a night of Heist movies which will be curated by Sandeep Makam, founder of a corporate communication agency. Consensus was reached about promoting RTFF through social networks and each individual took charge of creating accounts in various networks. Hence the birth of a new Twitter handle and a new FaceBook page. Date, venue & curators for following months were revealed a few days later through a google group digest and eventually posts started appearing on the timeline and wall. Everything set. Curiosity soared high.

Long Live Cinema_Chennai RTFF 2Arrived the night of Heist movies. Curator arrived couple of hours earlier to setup the mattresses, audio and video at ‘The Startup Centre’; venue for RTFF nights for the past 5 months. ‘The Startup Centre’ is mainly an Entrepreneur preening and Startup nurturing firm founded by Vijay Anand, The Startup Guy & Serial Entrepreneur. We are all eternally thankful to Vijay who generously hosts us every month with a big smile on his face. That was the night I first saw a group of 20-25 people who really knew what they were talking about. Not general bluffing about how a movie was good or bad, hit or bombed.. Their insights made me to run for covers. I could only nod & grin as if I knew all about movies. Later when I discuss with my non-RTFF friends, I brag as if I taught Tarantino cinema. I stole their words & musings, plagiarised it & presented as my findings & musings. Yes, I am proud of my juvenile deed. 4 films were played and the curator roped in famous director Venkat Prabhu, because that was the time his semi-heist movie ‘Mankatha’ released and was making a healthy ruckus in the south Indian film industry. Participants grilled the esteemed guest of honour with whys and hows and the guest ensured  he answered them articulately with few justifications.

For October 2011, Vijay Venkataramanan, a Film Editor/Screenwriter, volunteered to curate the night with ‘Monster Movies’ to commemorate Halloween. We still cherish the memory of watching an amazing movie ‘The Host’ and 3 other movies with supernatural beings going bonkers. The amount of knowledge and insights Vijay has about cinema & film-making will pin you down & makes you to listen to him talking about the movie rather watching the movie itself.

For November 2011, Javeeth Ahamed, an engineer who works for a multinational iron and steel company, decided to make the participants laugh their everything off with his unique genre of ‘War Comedies’. The night was kicked off with Buster Keaton’s evergreen classic ‘The General’ and 3 other hilarious war movies which makes you laugh. Yes, war movies. C.S. Amudhan, the director of the hit spoof-comedy movie ‘Tamil Padam’ was the guest. He brought the house down sharing his experiences of making the movie. The amount of effort Javeeth took to gather non trivial information about the movies that was played and its background was inspiring to others. He set a benchmark.

For December 2011, Murali Raja, an Application Engineer stepped up to curate and picked ‘Animation’ as the genre. The night started off with the highly acclaimed fantasy adventure animation movie ‘Spirited Away’ & followed by 3 other movies in various languages and ended with the rib tickling ‘South Park’. Despite being swamped by an unforeseen training program at work, Murali efficiently ran the night by picking movies that had set benchmark in its genre for its technical brilliance and plot wise rich content, which you can’t find elsewhere generally.

For January 2012, I was the curator and I decided to go with a serious genre, mainly because the last two editions were light hearted. I chose ‘Murder Mystery’ as the theme and immediately after deciding the genre; I decided I’m not going to play Hitchockish typical whodunits. The night started off very late because of the technical glitches with the sound & later visuals too. I started with a heavy plotted, based on a true incident, Korean movie, ‘Memories Of Murder’, followed by a humorous narrative whodunit movie. That night I invited acclaimed director Mysskin to share his thoughts about the genre, since he was the one to direct a very cleverly devised and dramatic murder mystery film ‘Yuddham Sei’ in Tamil after a long while. The movie was such a breath of fresh air & his presence that night was an epitome of how a disastrous event can be savoured with other distinguished elements. People found his perspective intriguing and his suggestions and idea invaluable. He was able to articulate about a wide spectrum of topics from neo-realism to music score in mainstream pictures.

For February 2012, Sandeep Narayanan, a Dentist has decided to showcase Indian Panorama. We all are looking for a night of multilingual visual treat. Since I & Sandeep became friends through RTFF, I am closely watching the amount of effort he has put in for the night. I couldn’t believe when he said he finished watching a Manipuri movie to see whether it can be projected for RTFF. Whoa! That is some amount of time contributed to a non-career task. The crowd is excited and registrations were opened a few days back and were closed within 20 minutes as soon as we broke last month’s high number of registrants.

Long Live Cinema_Chennai RTFF 3RTFF in Chennai is already a hit and is spreading like wildfire. The event was once covered by a news channel for their lifestyle show and was on the air of couple of morning shows in radio and several other write-ups in newspapers, leading journals & blogs.  The only hindrance for taking this to next level is availability and size of venues. Till date we have been accepting only 70 registrations because of the occupancy limit at the venue. We have been requesting participants to find suitable places which can accommodate more participants so that several other people can be a part of this movement. Curators were being asked via email, twitter & phone by folks from other cities on how to start such a movement in their respective cities. There are several other things which are lined up for the future and we are all excited about the drama.

On a lighter end note, few people do come for the screenings & turn on their slumber mode around the end of 1st movie & make industrial snoring noises. I still don’t understand. Why would one go to a social gathering & sleep when they already have the comfort of sleeping cozily at home.

Follow on Twitter: www.twitter.com/ChennaiRTFF
Like us on Facebook: www.facebook.com/ChennaiRTFF 

About The Author

Long Live Cinema_RTFF_Girish ChandranGirish Chandran is a film addict and earns a living working for an Australian e-commerce firm.
Follow on Twitter:  www. twitter.com/girishchandran  

KATHA CENTRE FOR FILM STUDIES CURATORIAL PROJECT FILM FESTIVAL | 18th February -17th March, 2012

The Curatorial Project Film Festival, organized by Katha Centre for Film Studies, started with its first day of screenings on 18th Feb at Whistling Woods International Campus.

The film festival is in continuation with the workshops on Film Curatorial Practices held by the organization in August 2011. Based on the curatorial proposals submitted by each of them, five of the participants from the workshop were selected for curating day-long screenings at the festival.

The screenings on 18th Feb were curated by Srajana Kaikini, an Arts and Aesthetics Student from JNU, New Delhi.  Her curatorial idea ‘Familiar Strangers’ was about exploring how communities are constantly in conversation with each other and probing unknown bonds between friends and strangers, the known and unknown, the unseen crowd and the connected individual. She screened Following (Christopher Nolan), Man on Wire (James Marsh), Babel (A G Inarritu) and Where is the friend’s home? (Abbas Kiraostami) as a part of her curatorial idea.  The Resource Person for the day, Film Scholar, Curator and Archivist, Amrit Gangar elaborately discussed the curatorial idea and the selection of films, pointing out how the films also covered the pre-modern, modern and post-modern thought. Discussions about Cinema being a temporal medium, the urban landscape and relationships, the horizontal and vertical stretch of a city and the spaces within which individuals exist, ensued.

The forthcoming events at the Curatorial Project Film Festival are:

On 24th Feb at Edward Theatre, Kalbadevi  in association with Enlighten Film Society and 25th Feb at Whistling Woods International – ‘A bit of I, A bit of Me’, curated by Afrah Shafiq. The programme includes a collection of documentary work that is in one way or the other a cinematic rendition of the self. These subjective truths with generous doses of reality, explore the practice where the filmmaker chooses to face the camera and implicate themselves in their own work and the teller becomes inseparable from what is being told.

On 3rd March at Whistling Woods International, Manjeet Singh would present ‘Emerging Voices of Indian Cinema’. His curatorial idea attempts to probe into the challenges and delights of filmmaking and includes screening of unreleased Independent Feature films / Short films / Animation films.

On 10th March at Whistling Woods International – ‘Sonic Silences, Soundscape and Cinema’ curated by Geetha B. . The programme explores varied ways in which silence is used in films and the complexity of silence both in a philosophical and acoustic sense.

On 17th March at Whistling Woods International – ‘Food and Cinema’ curated by Atika Chohan. The programme looks at the centrality of food as  recurrent film theme and how imperative a tool it is to explore society, culture, tradition, race, displacement, immigration, current socio-economic concerns and politics; and further, since food-films marry cinematics and rhetoric so engagingly that it finds an instant  receptivity amongst both the lay and initiated audience.

The detailed schedule is available here .

The festival is open to all. No prior registration required.

Katha Centre for Film Studies is a Mumbai-based non-profit organization has been actively involved in creating spaces for the young minds to explore the world of cinema and is currently the nodal centre for Film Curatorial Practice for the Curatorship Programme of the India Foundation for the Arts.

Long Live Cinema_Katha Centre_Film Festival_Schedule

 

CALL FOR APPLICATIONS | Submission Deadline: February 16 A Sunday in the country: An encounter of young filmmakers

A Sunday in the Country is a special week long encounter between seven young European filmmakers, seven Indian filmmakers, some established members of the European Film Academy (EFA) and an Indian film “guru”. The private atmosphere of these encounters guarantees an exchange of ideas and experience which goes far beyond the results of usual workshops.
Last Date for Submission 16.02.2012

THE IDEA
Seven young filmmakers from Germany and other parts of Europe meet with seven filmmakers from India and two prolific members of the European Film Academy and a film “guru” at a special venue in the countryside. A SUNDAY IN THE COUNTRY- EXTENDED in India will offer the filmmakers the opportunity to interact closely with each other and with established film professionals with immense experience in the European, Indian and international film industries. On the occasion of the 15-month celebration of Indo-German collaboration titled “Germany and India 2011-2012: Infinite Opportunities”, this special edition of A SUNDAY IN THE COUNTRY- EXTENDED in India is planned for a week in March 2012. It will allow the European participants full insights into the Indian film culture and industry, give the Indian filmmakers the opportunity to meet their European colleagues, organize special screenings of all the participants’ work and will generate an exchange between different generations of filmmakers from various cultural backgrounds – something that is crucial for the future of rising talents, the future of cinema and is strengthened by international co-productions. The subjects that are discussed are varied. They include financing and production conditions in the home countries of the young filmmakers, personal conditions of work, various cultural backgrounds, different ways of storytelling and technical questions.

This will be the first time A SUNDAY IN THE COUNTRY– EXTENDED will be realized outside Europe. Based on a tradition of cultural exchange between the German, European and Indian film industries, it aims to further the understanding, possibilities of networking and co-operation between European and Indian filmmakers. A SUNDAY IN THE COUNTRY was initiated in 1995 by the EUROPEAN FILM ACADEMY (Berlin) and THE OPEN SOCIETY INSTITUTE (run by the SOROS Foundation, New York).

APPLICANT PROFILE
The encounter is intended for seven young film directors, writers and producers from Germany and other European countries and seven participants from India. The participants should be highly regarded talents in their home countries. The production of at least one film would be a precondition.

The applicant shall provide the following documents:

CV, Filmography, A short letter of motivation and a DVD of their own film(s)

To be a team player and communicate fluently in English would be crucial preconditions.

The Goethe-Institut / Max Mueller Bhavan will pay for the participants´ travel expenses in India, accommodation and boarding during the project.

ABOUT THE PROJECT PARTNER
The creation of the European Film Academy (EFA) was the initiative of a group of Europe’s finest filmmakers brought together on the occasion of the first European Film Awards Ceremony held in November 1988. EFA was finally founded in 1989 as the European Cinema Society by its first president Ingmar Bergman and 40 filmmakers to advance the interests of the European film industry. Wim Wenders was elected as first chairman of the association which two years later was renamed European Film Academy. In 1996, he followed Ingmar Bergman as president of the EFA while British producer Nik Powell was elected as chairman of the EFA Board. He was followed by French producer Humbert Balsan who was chairman from 2003 until his sudden death in 2005. Current EFA Chairman is French producer Yves Marmion.

The European Film Academy (EFA) now unites more than 2,300 European film professionals with the common aim of promoting European film culture. Throughout the year, the EFA initiates and participates in a series of activities dealing with film politics as well as economic, artistic, and training aspects. The programme includes conferences, seminars and workshops, and a common goal is to build a bridge between creativity and the industry. These activities culminate in the annual presentation of the European Film Awards.

Since its early beginnings, Berlin has been the seat of the EFA Secretariat where it is registered as a non-profit association.

Submissions/ queries to be sent by mail to: Sunday@delhi.goethe.org
or to
Goethe-Institut / Max Mueller Bhavan New Delhi
“A Sunday in the Country”
3, Kasturba Gandhi Marg
New Delhi 110001

BHADAAS DHO…MONEY DO by Gurpal Singh

Long Live Cinema_BYOFF 2012 posterThe Bring Your Own Film Festival(BYOFF) started as a reaction against the typical government run festivals in big cities.

Not that we had anything against them… They have their value…but the formal approach and the bureaucracy bogged us down and we longed for a space where some filmmakers could meet informally, bond over some food and drinks in a chilled out atmosphere and share each others’ work, thoughts, ideas, experiences, stories, songs, jokes and anecdotes…. something told us that something wonderful will come out such an exchange…

So a few filmmakers went together and started what has come to be known as one of the best platforms for independent films.

The setting was Hotel Pink House, a small unpretentious hotel at a beautiful location by the beach in Puri, Orissa. It had a great vibe to it and a small wooden fence separated it from the ocean. Part of the hotel was sunk in sand adding to its charm and appeal.

Since we wanted to make the whole thing more democratic and accessible, we decided that there will be no awards, no selection procedure, no deadlines.

An email was circulated and we hoped that about 30 or 40 filmmakers would land up for this “blind date”, the email circulated far & wide and it seemed to us that too many people were just waiting for something like this to start because about 300 people landed up.  To be honest we were very happy but also a little flustered by the heartening response.

Some hurried decisions were taken, we increased the number of screens to begin with and decided to put up tents so that we could start screenings in the day time as well (we had earlier planned to start only after sundown in the open air) but as the people kept pouring in, we even extended the festival from the 3 days we had originally planned to 5 days.  Most of the people who had booked their return tickets cancelled it and the first edition was a resounding success.

And a movement was born.

But it also burnt a hole in our pockets as we had mainly depended on individual contributions. Fortunately help came later in the form of a grant and we were able to pay off some of the unpaid bills.

The next year we kept a deliberately low profile and despite that had a sizeable crowd.

As it so happened a lot of first time filmmakers came and the most satisfying part was that some people made films just because a festival like this now existed.

Every year we have a few entries where the filmmakers have said that they would not have had the urge to make a film had it not been for BYOFF, that I think is the biggest compliment any festival can ever get.

We have always had issues of funding because of our fiercely independent nature, we manage to get only a few sponsorships and those too if they do not interfere with the way the festival is run and don’t have a say in the “no selection” policy that empowers anyone to show a film.

We request the participants to contribute something for attending the festival and for showing their films but then that covers only a fifth of the cost and eventually a lot of friends and well wishers help out. That’s how it’s been going on for a while. At some point we had even decided to shut it down but then there was a very emotional reaction from the regular “BYOFFians” and we kept going.

We still try to keep it small but its steadily growing again.

We now start after sundown and go on till the wee hours of the morning. In 2011, we again had to increase it to 2 screens in order to accommodate all the films that the filmmakers brought and we expect the same this year.

Many people also help out in other ways like designing posters, doing up the venue, checking prints etc.

Volunteers are the backbone of the festival and most of them come from the Biju Patnaik Film and Television Institute of Orrisa.

Several other art activities have taken place alongside the films screenings: Theatre, Dance and Music performances, Painting and Photo Exhibitions, Sculptures, Installations etc.

We try and create a space for everyone.

We look forward to a great festival this year too. So if anyone has made a film that he or she wants to share with fellow filmmakers and artists; just land up and if you have not made a film, just land up to watch and soak in the atmosphere.

For more details about the festival, visit the official website

Long Live Cinema_Gurpal SinghGurpal Singh is an FTII alumni is the brain behind extremely popular Chhupa Rustam. Later he worked on Funjabi Chak De (Star One), Tedhi Baat Shekhar ke Saath (Sab TV). He has also organized MAFIAs a platform for artists, filmmakers, photographers, musicians & all sorts of creative people who catch up and share their work. And he is the founder of the cult hit BRING YOUR OWN FILM FESTIVAL that takes places every year in Puri, Orrisa from 21-25 Feb.

BYOFF Poster Courtesy: Nitesh Mohanty